Voix du Cabaret tour

25th Nov 2017

Voix du Cabaret

Proud to present an evening of Chanson by way of Berlin and Bulevard St. Germain.

What does is mean to live through death, to lose hope and to find love? Past entwined with the future, fragments, repeated cycles, dreams and love. These immortal songs once made famous by great artists, they are the voices of Cabaret and I bring them through my voice. They ask raw, uncomfortable questions, they heal wounds, they destroy and transform. These are the voices of hope and life itself.

   Mark Risi on the piano and Ian Marcus on the bass

Highlights of 2016/17

4th Aug 2017

I have enjoyed a busy year, filled with amazing variety of performances, venues and memorable encounters with great people. I began with a ‘Thank you’ concert with Simon Over at Bob Boas’s generous house. I felt very strongly that I wanted to gather all the people who have been involved and supportive of my singing career and simply to thank them, acknowledge how moved I am to have such an loyal team standing behind me, all who believe in me and walk together with me.

This followed by truly magical engagements. I sang one of my dream pieces Poulenc’s Gloria at the Notre Dame de Paris, Cadogan Hall and a recital at the British Embassy in Paris. Notre Dame welcomed me warmly into its’ massive belly.

‘Friday night is music night’ with BBC Concert orchestra, with whom I have a longstanding collaboration. There I met Alexander Armstrong.

I recorded 3 CDs this year: V. William’s The Scott of Antarctic with Scottish National symphony orchestra, Conducted by Martin Yates. Released by Dutton Epoch records@

Requiem composed by Timothy Hamilton released by Naxos@

Shostakovitch rear works, together with Alexandra Sherman, Sasha Rozdestvensky and Jeremy Menuhin.










Carmina Burana at ‘Three choir festival’ , where I met the Duke and Duchess of Gloucester.

Few other singing dreams came true – Chants d’Auvergne and Brahms requiem with OSJ and Maestro John Lubbock, the role of Glauce/Dirce in Medea by Cherubini with Maestro Gianluca Marciano in Beirut, Gustav’s Holst The Mystic Trumpeter (Scena for soprano and orchestra) with BBC Concert Orchestra and Maestro Martin Yates.

Concert in the main auditorium of Barcelona with Richardo Estrada, Singing 11 concerts on the Glorious stage of the Royal Albert Hall, Meeting Tony and Cherie Blair, being chosen the Artist of the month on the Opera Now, singing a recital/interview for Rhinegold LIVE (where Artists are hand-selected by the editors of Classical MusicInternational Piano and Opera Now magazines) And developing my own one woman show (details to follow).

And I Almost forgot 🙂 I run 10K with my friend Ruti and few hundred amazing women to raise money for cancer research. 


The Tales of Hoffmann with ETO

20th Sep 2016

From a young age I was dra8166684_origwn to the mysterious world of investigation and criminology, my uncle being a forensic scientist in St. Petersburg. And I w3978527_origas dreaming of working in homicide. My childhood and early teens were spent in front of a piano and in his forensic lab. Music and singing took over as I soon realised that the real mysteries lie in the human heart and that the voice is the best instrument to express the truth of the human soul.

Hoffmann lovers – Stella encapsulates three women in one.

Olympia- a rebellious teenager, rude, who smokes and swears, pushing the boundaries, girlie and innocent. She is an invention, a robot in our production, a robot/puppet. She coughs in a deep voice. Yet she sings stratospherically high notes! My inspiration for Olympia is a combination of Lolita, Catherine Zeta-Jones and Frankenstein!

Antonia– has a re
al polar split in her personality, neurotic and slightly schizophrenic. Tortured by inner voices, locked up for months in her father’s house. She is a true artist who has a beautiful voice and talent to be a singer, like her mother, from whom she has inherited a mysterious illness. Antonia is like a butterfly attracted to the light and is burnt by it. She is impulsive and like a leaf in the wind, changes moods. This combination is destructive. An inspiration for her character is a combination of Shakespeare’s Ophelia and Juliet.565204_orig

Giulietta- Ve1475551_origne8181089_origtian courtesan. She is an expert seducer and manipulates all men around her. She is controlling Hoffmann and is controlled by Dappertutto, the villain. She plays all the men against each other, steels their reflections and goes off with the nemesis.  An inspiration of her for me is Lara Croft and the devil. Stella- is Hoffmann’s woman, she has all three in her. She is a film star. Hoffmann sings ‘three women in one’. She is a real, complex woman.Inspiration is Marilyn Monroe and Greta Garbo.

I have sung innocent virgins and suffering teenagers, mature women and elegant prostitutes. But I have never yet acted and played all of them in one opera.In this production I am in charge of a puppet when I sing one of the most difficult coloratura arias in the soprano repertoire.

The challenges are in creating the characters as dif3455584_origferent and distinctive. Vocal challenges- how to pace myself through the entire Opera. For this I need to listen to my instincts and have faith in my voice and ability

Together with the director I am building a character from scratch.  How she walks, touches, looks, kisses, everything. Our director James Bonas is a true creative genius and I love working with him and his team. So a lot of DNA and fingerprints go into the forensic development of each character 🙂

Tales of Hoffmann is an opera full of fantasy, but the characters are very human and real. Every woman has different aspects in her. She can be a rebellious teenager and a tortured young woman in love, she can be flirtatious and
she can be mature and wise – not robbed of innocence but awakened to the complexity of life -it’s all in us. English Touring Opera is a great company, caring and supportive.    Its leader James Conway is a great man and its purpose is to reach the hearts of people.  Opera brings human stories and looks into our emotions under a
microscope. ETO
are reaching far and wide into diverse audiences, from children to people who never experienced an opera